Wednesday, 14 June 2017


Puma Blue
Swum Baby E.P.
(Inner City Float)
8/10
Take the softness of Elliot Smith’s sincerity and sadness, the warmness of Jeff Buckley’s longing; add a pinch of Chet Baker’s pitch perfect pipes and stir lightly with Mac Demarco and Tommy Guerrero’s stoner grooves and you will pretty much have Puma Blue, a.k.a. Jacob Allen presented before you.
Swum Baby is five tracks of sparse, D.I.Y. soundscapes, jam-packed with emotion, bliss and beauty.
The E.P. starts and ends with my personal favourite tracks: (She’s) Just a Phase, a gentle, floating musical feather that tickles your ears, while the singer tries to convince himself and us that the “creature of my desire” is “easy to replace”. The words trickle out mournfully and passionately, though I suspect, if my interpretation of Puma Blue’s pining is true, he may need to take the subject matter back to his therapist to get proper closure.
Want Me is wonderfully dreamy yet haunting. The brush strokes meander around the soft and frilly, catchy chorus like a slow trickling stream; making for a perfect end to an unfeigned and heart-felt extended player. 

By Richard Bamford



                                Don’t Exist by Richard Bamford 


       I just want to go to sleep,  
      To disappear into the sheets.  
      To quiet the noise inside my skull,  
      and make it numb and make it dull.  
      It’s easier to not resist, the feeling I should not exist.  

      Self-loathing scratches at my face,  
      I want to dissolve without a trace.  
      The seething hate, the tears within,  
      Nobody can judge when my light is dimmed.  
      It’s easier to not resist, the feeling I should not exist.  

      The anger that I have suppressed,  
      Is fighting back and crushed my chest.  
      Just close my eyes and drift away,  
      Unless I can release this rage.  
      I can accept and clear this mist,  
      I can choose to embrace that I exist.  


  

Wednesday, 10 May 2017


A poem about Generalized Anxiety Disorder:





I Scare Myself.

by Richard Bamford

A litre of water seeps from my face,
My stomach ties knots,
My heart quickens its pace.
Intestines clenched and bladder squeezed,
My mouth is dry like a dying tree.
But what is the cause of this behavioural mess,
With thoughts and feelings in distress?
I scare myself and regress to child,
Replaying emotions, I once had filed.

I feel on edge; my body on parole.
What will it take to gain control?
This story playing in my mind,
To the present moment I am blind.
My hearing’s heightened like a fleeing fawn,
I’m running from these images I’ve drawn.  
I scare myself I know that now,
My breathing’s shallow – I wipe my brow.

I close my eyes and inhale a breeze,
A sigh of clarity as the paranoia leaves.
I have returned; I’m here; I’m now,
My heartrate’s calming, I don’t know how,
I feel my feet upon the ground,
No longer attuned to every sound.  
I scare myself, that’s what I do,
But I don’t have to and nor do you.


Monday, 8 May 2017

The Heliocentrics - A World of Masks


A World of Masks
The Heliocentrics
Soundway Records
4/5
By Richard Bamford

Sometimes a record really surprises you and surpasses your expectations. I’ve been digging Malcom Catto and The Heliocentrics for a few years now but their new album, A World of Masks, really blows my goose-pimples’ socks off. I stick the platter on the turntable and let the stylus gently kiss the groove. Subtle sounds seep from my speakers and bounce off my walls. But wait, this isn’t the psych jazz funk rock I was expecting; this is different. The Helio’s, it seems, have picked up a vocalist: Barbora Patkova. Babs’ Slovakian song soaks up the improv’ grooves with a porous embrace. Could this be The Heliocentrics missing link? My initial pull to this band were the masterful and manic drums. I can say this because I’m a drummer: Malcolm Catto is a fucking brilliant drummer. I’ve seen him live and I’ve listened to his work on a multitude of projects. The man can play them tubs. With The Heliocentrics debut, Out There, Malcolm’s rhythms were almost exhausting to keep up with, and bafflingly impossible to copy, but, on A World of Masks he’s no less tight, snappy and crisp, he’s subtle and set back, slightly. The man’s a human metronome and still guides each song as they’re neatly and sweetly interconnected with precision, but this gentler approach works to the band’s credit and enhances Babs’ soothing chants to an end that steers this away from an improv’ style to a more succinct body of work. A World of Masks isn’t just a classy jazz piece, it’s a multifaceted, multi-cultural masterpiece that whisks you around the globe and back again, picking up influences from Turkey, Morocco and Slovakia along the way. A World of Masks is released on Soundway Records on the 26th May.

Thursday, 23 October 2014




The MOBOs: 20/08/06

Words by: Too Critical Cynics (The Hobbit & Great Scott)


Kanya King and her Music of Black Origin awards have returned once again. As in the past, the MOBOs attempted to walk the diamond encrusted tightrope between bringing lesser-known hopefuls to commercial attention and decorating the award ceremony with various international megastars. The latter was obviously in the forefront of the organizers mind when they decided to let a seemingly inebriated Coolio join comedy star Gina Yashere in the autocue reading. When the crazy-haired one staggered to the platform, the unmistakable sounds of bejeweled grills hitting the floor and plush folding seats smashing into their upright positions filled the ¾ capacity Royal Albert Hall. A night that was lacking direction and star power more than made up the difference with shock and awe. The stunned faces, regardless of ethnic origin, expressed the same wide-eyed stare following several key announcements, not the least of which included a ban on drinks being brought into the auditorium. It’s astonishing how slowly an un-lubricated pen drizzles unkindly across a page - oh well, at least the One Drop sound of reggae seems to’ve erased all the homophobia paranoia as per the previous years.

The performances were a reasonably balanced recipe of British and American commercial successes; Corinne Bailey Rae and Lemar serving as the two veg to accompany Rihanna and Le Toya’s meat [ahem] de jour. The main bugbear of the ceremony has to be the nominations and their lack of clarity. They were, predictably, as sketchy as a courtroom artists portfolio. How a man [Jay Z] who is allegedly in retirement gets nominated and subsequently wins Best International Male could only be topped by soul artist Anthony Hamilton being nominated for the Best Reggae accolade – only to be beaten by Sean Paul. Could the organizers really not think of any great reggae releases this year? I shouldn’t think Baby Cham or Tony Mattahorn cried themselves to sleep over this obvious lack of awareness. Akala’s surprise victory as Best Hip-Hop was acknowledged with muted applause as well as eye-rolling. Not denying Ms Dynamite’s baby bro’s talent, but in easily the most hotly contested category including Busta Rhymes, Kanye West, Kano and Sway, the decision seemed to be based on locality rather than quality. Fortunately, the evening wasn’t a total loss and highlights have to include soul legend Sam Moore’s performance, the Jazz musicians musical protest outside the venue - due to the MOBOs not recognizing Jazz as being a music of black origin, Rihanna’s shimmying and the punters - complete with raided accoutrement from Kanye, Pharrell, Kool Moe Dee and Liberace with varying degrees of failure.
As ever, it seems that Ms King’s idea of a perfect balance needs to be re-weighed. Wouldn’t a tally of perhaps an unknown American against an unknown Brit sit better on the stomach? At the moment, however, it’s still like an overdose of Andrews – lots of fizz, a few bubbles and pockets of air, followed by watery occurrences and a limp feeling of emptiness. The MOBO Independent Academy of judges seem as though they need a good clear-out.




Monday, 4 June 2012



Britain Smitten. By Richard Bamford




With all the current enforced and somewhat false patriotism and celebration centred around bigging up one privileged family, and my lack of enthusiasm for the upcoming Olympics, I started to question what it is that I do feel proud about the United Kingdom and to call myself British. Clearly, the English language is something to be proud of; it’s beautiful intricacies and word weaving are pretty much the envy of the world. Sure, French sounds sexy and never would the ol’ rocket science cliché be more befitting for the notion of a westerner learning Mandarin. English, though, when used properly, can evoke every emotion and stir the senses in one sentence. Shifting selections of punctuation and pauses can completely change its meaning. I love all forms of communication and languages, but English is something special for me. The thing is, I don’t have to live here to appreciate the language, so what else? Here’s five things that instantly sprang to mind:

:

1.) The multiculteralism:

It’s been a long time since the Vickings were here and even longer since the prehistoric Grimaldi African wandered our land. Britain has slow cooked into a rich caserole of many different races, cultures and creeds. When not mared by igorant, racist idiots, it keeps our society fresh, exciting and extraordinary. Let’s not forget the humble curry being the most preferred dish to one and all.



2.) The music:

British music has long been admired, copied and constantly changing.

I think this has been hugely influenced by the fusion of different people and backgrounds.

There’s too many different genres and pigeon-holes to point out, but, Britain is the birthplace of Drum and Bass, Dubstep and Grime, Broken Beat, Lovers Rock, Indie, Folk and Punk.

I’m constantly impressed in its creativity, development and Britishness.



3.) Birmingham, Liverpool, Manchester, London, Leeds, Glasgow, Edinburgh, Swansea, Belfast, other major cities are available:

I lived in London for most of my life, but I have visited all the other major cities in the UK. Each one has its own history, architechture, fashion and multiple scenes and styles therein. Live and direct culture is to be had and enjoyed and, considering this island’s minute size, the array of experiences are vast.



4.) The labour loved working class angel that is, The National Health Service:

Slowly being crushed by the government and people who take this for granted. It’s the only true classless system in the United Kingdom. It cannot be prejudiced or snobby. It’s the envy or the world and is something everyone should treasure and look after.



5.) Stiff upper lipped positivness about the Weather:

A bit of a controvertial one, but stick with me on this: Everyone moans about the rain…and contratry to what the government and water companies will have you believe, it does rain a lot. Other parts of the world aren’t gifted with drinking water, healthy crops, lavish countryside and constant supply of food. Don’t get me wrong, I love the sunshine and the summer….when it’s not raining; it puts a smile on the face and an amount of the sun’s rays are actually good for us. Something has to be said for the seasons and I’ve grown to have a fondness for each of them; my favourite two probably being the Spring and the Autumn; mostly because of the huge difference in the season preceeding them and the contrasting colours and temperatures.



Yep, lots to be indignant about over here, but, the bits that are good are very good and do give me a sense of pride. I decided not to mention our various inventions of sporting activities partly because I don’t know much about them but mostly because every other corner of the world seem to whoop our arses at them these days.

My conclusion is, be proud, love nurture and cherish things that are worth it; things that you can freely and eloquently talk about. If you’re unsure, question everything; if you’re positively ecstatic, express it; share it!



Saturday, 19 May 2012

DEFINITION OF DISCO



In November 1975, a breakthrough single and voice emerged that would change a genre and who in the words of Quincy Jones would become ‘…the heartbeat and soundtrack of a decade’. The single was ‘Love to Love you baby’ the creation of Giorgio Moroder, Pete Bellotte and the lady who would go on to be crowned the ‘Queen of Disco’ Donna Summer (born Ladonna Gaines).

It was at the tender age of 10 as she stood in for the vocal lead of her church choir, that Summer is said to have known that one day her voice, far beyond her age and tiny frame, would make her a star.
  In subsequent years since her 1975 smash hit, the first of nineteen No.1’s, she would go on to achieve numerous accolades including the first artist to achieve three consecutive double albums to reach No.1 on the US Billboard chart.

Like many musical greats before and since, her career and life were not without controversy, even losing fans, particularly amongst the gay community, for her comments regarding AIDS (which she later denied). Summer also had a well-documented struggle with depression, anxiety and at one time prescription drugs, of which she found salvation in Christianity.

There is no mistaking that she was truly a one off, who did things in her own way and according to Pete Waterman in “Donna time”. Refusing to remain in her “Queen of Disco” box, she was unafraid to experiment and diversify her sound, earning her a string of awards including the first African American women to be nominated for an MTV video award (1984) and first black artist to win a Grammy in the rock category (1980), she would go on to win five Grammys in total - proving without a doubt her reach and influence spanned far beyond the world of sequins and glitter balls.


Since news broke of her tragic loss against her secret battle with cancer, tributes from the great and the good of music have flooded in. Gloria Estefan beautifully encapsulated the sentiment of all who morn her by proclaiming, “Few singers have impacted music and the world like Donna Summer! It’s the end of an era…”

Summer’s unmistakable sound and genre defining hits such as ‘I Feel Love’, said to be a ‘key record in the history of electronic dance music’, completely changing the way that music was perceived, has been sampled by artist as far ranging as Madonna and Whitney Houston to Moloko and David Guetta. As recently as 2011, Summer re-recorded her 1975 debut for fashion brand Diesel’s ‘Lovedose’ advertising campaign.

Just as her family celebrate ‘her extraordinary life and her continued legacy’ so will the world and music fraternity.  Donna Summer defined an era and a genre, her influence and records remains as Elton John put it, “…as good today as they ever did” and for that, she was, is and will always remain the very definition of disco. 



Saturday, 18 February 2012

THE REAL DEAL SA IN THE UK ROUND UP

In January we had our ‘The Real Deal Afro Round Up’ celebrating all things African from ACON (Africa Cup of Nations) to Afrobeats.
Having headed down to Roundhouse Rising 2012 Un-convention last weekend (11 February 2102) and in particular catching panel discussions on ‘Politicised Hip Hop’, ‘Female Voices’ and of course ‘The Rise of African Music’, in the words of Amadou and Mariam’s Manager, Mark Antoinne Moreau, “The next wave of music is coming from Africa”.


In seemed only fitting that I would celebrate my not so little corner of Africa whose music ‘has always been different and unique’ (Black Coffee), by catching up with South Africa’s legendary house Dj and producer Black Coffee who is on the UK leg of his European tour, that sees him visit Portugal, Greece, Paris before heading back to home to South Africa.

Birmingham Ballroom was treated to a ‘great selection of Soulful, Deep and Tribal house’ last night, which is enough to get me in an Ibiza kind of a mood. If you are in Manchester tonight and a bit of Black Coffee is exactly your flavour, then you have another chance to catch him.

Continuing our South African theme in our recommendations for this weekend, if you have not already, then it’s you last chance to see what has been described as ‘a pulsating musical celebration of South African song and dance’. Todd Twala and Thembi Nyandeni’s UMOJA has been lighting up London’s West End since the end of January in its third popular run here, and has been seen by over four million people worldwide.

Said to have been created, ‘as a way of a reminding a new generation of South Africans of their heritage’, UMOJA, meaning ‘togetherness’ in Zulu, has won critical plaudits and collected multiple awards for it’s the potent rhythms of tribal music to the joy of gospel and the pounding energy of contemporary kwaito. UMOJA unites 30 singers, dancers, drummers, marimba players and musicians, who represent the best of South Africa’s young performers.

UMOJA
Peacock Theatre WC2
Final dates: Saturday 18 - Sunday 19 February 2012
Performances: 7.30pm, Sat & Sun mats at 2.30pm

Tickets: £15 - £42

Ticket Office: 0844 412 4322 www.sadlerswells.com


As a multi-talent lot at Just Elemental Music towers, as well as interviewing House music legends such as Black Coffee, I have spent the week teaching young people magazine journalism, radio and aspiring artists about the importance of PR and reputation management. So in the spirit of celebrating our little JEMs this half term, the Southbank Centre are hosting their ImagineChildren’s Festival which runs (11 – 26 February 2012) which included on 15 February a sold out performance and world premiere of Mandela Tales, a beautiful new production for children, devised, directed and produced by ground-breaking composer Shirley J. Thompson.

Thompson’s Mandela Tales is inspired by the book Nelson Mandela's Favourite African Folk Tales and encapsulates the sheer magic of storytelling, imagination and creativity. Featuring a number of compelling stories from across a variety of regions and traditions across Africa, and told through the power of original live music and dance.

Friday, 20 January 2012

THE REAL DEAL AFRO ROUND UP

As an international bunch here at J.E.M we always embrace good music stretching from the shores of Brighton to Belize. In what is fast becoming a celebration of all things African here at the Just Elemental Music towers, our Afro weekend round up takes us from the pitches of Equatorial Guinea to the airwaves of BBC Radio 1Xtra for all things Afrobeats.

Nothing says weekend like a football terrace, team chants and in the case of our South Africa cousin's the sound of a vuvuzela. Football fans the world over will of course know that it is that time again in the international football calendar when we see Africa's finest take to the pitch for the Africa Cup of Nations.


A little nearer to home, the weekend kicked off with none other than the 'Fresh prince of Hackney' aka Choice FM's Kojo's return to his stand up and East London roots by taking to the Empire's stage for two nights (20-21 January 2012) of his signature comic capers and the recording of his 'Live N Kicking' DVD. Earlier in the week Kojo spoke to MTV in this heart warming and frank interview ahead of his shows: KOJO'S MTV 'LIVE N KICKING' INTERVIEW | MTV UK

As you would expect, J.E.M's very own African Princess and first lady was of course there sipping on a complementary fruit cocktail (minus the alcohol naturally) in the VIP alongside the likes of striker Carlton Cole, songstress Jamelia, actor Ricky Norwood (Eastender's Fatboy), Blue's Simon Webbe and ITN's Charlene White but to name a few. Even being papped on arrival, for what was also the comedian’s birthday celebration. We can't wait to see the snaps which will be coming to J.E.M very soon



Each Sunday to wrap up the weekend here at J.E.M, our very own Rich B brings us his very own Just Elemental Music Radio Show. As a multi talented lot, we are no strangers to the airwaves with our very own Tooty often found chatting to the likes of Kath Melandri on BBC London 94.9 and the occasional Colourful Radio stint in her eclectic arts, ents and culture round ups.


It therefore makes perfect sense that our Afro round up would end with great radio in the form of an exciting documentary charting 'The Rise and Rise of Afrobeats' which is fast dominating Dj sets and sweeping across UK club dance floors.

Produced by friend of J.E.M and BBC Radio 1 & 1's Bernard P Achampong and presented by 1xtr
a's DJ Edu, the doc promises to take us on a journey across Africa with contributions from Afrobeats artists including Nigerian superstar signed to Kanye West's GOOD label D'Banj (pictured) and South African House Music legend Black Coffee, to personal insights from UK homegrown African talent such as Sway, Estelle and Tinchy Stryder.

Tune in and get your tweets at the ready at 21:00hrs TONIGHT for 'The Rise and Rise of Afrobeats'. Twitter hashtag: #theriseofafrobeats

The Rise and Rise of Afrobeats
Sunday 22nd January 2012
2100 - 2200 hours (GMT)
BBC RADIO 1Xtra (www.bbc.co.uk/1xtra)

Presenter: DJ Edu
Producer: Bernard P Achampong